Chapter Four

Sensation & Perception

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Sensation        

•      The stimulation of sensory receptors and the transmission of sensory information to the central nervous system.

•      A biological process.

•      How many senses do you have?

Perception

•      The process by which sensations are organized into an inner representation of the world.

•      A psychological process.

•      “making sense of your sensations”

 

Psychophysics (see p.143)

•      The study of the relationships between physical stimuli (such as light or sound) and their perception.

•      Gustav Theodor Fechner – first psychophysicist

•      absolute threshold - the minimal amount of energy that can produce a sensation

•      Ernst Weber - early psychophysicist (p.145)

•      difference threshold - the minimal difference in intensity which is detectable

 

Just Noticeable Difference

•      The minimal amount by which a source of energy must be increased or decreased so that a difference in intensity will be perceived.

•      “jnd”

 

Signal Detection Theory

•      The view that the perception of sensory stimuli involves the interaction of physical, biological, and psychological factors. 

 

Sensory Adaptation (p.146)

•      The processes by which organisms become more sensitive to stimuli that are low in magnitude and less sensitive to stimuli that are constant or ongoing in magnitude.

•      Sensitization- becoming more sensitive to stimuli that are low in magnitude.

•      Desensitization - becoming less sensitive to constant stimuli.

 

Vision & Light

•      Light is the part of the electromagnetic spectrum that stimulates the eye and produces visual sensations.

•      See the electromagnetic spectrum on p.148.

•      Light travels in waves, with wavelengths.

•      Visible light:  400 to 700 nanometers

•      Roy G. Biv

 

Parts of the Retina 

•      Photoreceptors (Rods & Cones)

•      Cones - color cells (6.5 million)

•      Rods - Black & White/ Low light (125 million)

•      Bipolar Cells

•      Ganglion Cells - form Optic Nerve

Color Vision:  The Basics

 

•      Hue - the color of light, as determined by its wavelength

•      Amplitude - the size of the wave; determines brightness or intensity

•      Saturation - the degree of purity of a color

•      The Color Wheel (See Fig. 4.6, p. 151.)

–   complementary - opposite on the wheel

–   analogous - similar colors, next to each other

 

Theories of Color Vision

 

               Trichromatic Theory

•      - see p.153; also known as the Young-Helmholtz Theory

•      three types of cones

–   red sensitive

–   green sensitive

–   blue sensitive

–   supported by microspectrophotometry

Opponent Process Theory

•      Proposed by Ewald Hering in 1870

•      three types of receptors:

–   red-green

–   blue-yellow

–   light-dark

•      explains retinal afterimages.

•      See page 153.

Color Blindness

• Monochromat - a person who is totally color blind and is sensitive to black and white only.

•      Dichromat - a person who is sensitive to black/white and either red/green or blue/yellow and hence partially color blind.

•      Trichromat - a person (or a mouse!) with normal color vision.

 

Visual Perception

 

 

Top-Down Versus Bottom-Up Processing

 

•      Top-down processing

–   Use of contextual information or knowledge of a pattern in order to organize parts of the pattern

•      Bottom-up processing

–   Organization of the parts of a pattern to recognize the pattern they compose

 

Gestalt rules of Visual Perception

–   Figure -  Ground

–   Closure

–   proximity-nearness

–   similarity

–   continuity

–   common fate

 

Perception of Motion

 

–  Autokinetic effect

–  Stroboscopic motion

–  Phi phenomenon

 

Monocular Cues for Depth

–  Perspective

–  interposition

–  texture gradient

–  shadowing

–  motion parallax

–  See p. 160.

 

Binocular Cues for Depth

•      Convergence - based on the inward movement of the eyes as they attempt to focus on an object that is drawing nearer.

•      Retinal Disparity - based on the difference in the image cast by an object on the retinas of the eyes as the object moves closer or farther away.

 

Perceptual Constancies

•     Size constancy

•     Shape constancy

•     Color constancy

•     Brightness constancy

 

Kinesthesis

•     The sense that informs us about the positions and motion of parts of our bodies.

•     From the Greek word for “motion,” (kinesis) and “perception” (aisthesis).

 

The Vestibular Sense

•      The sense of equilibrium that informs us about our bodies’ positions relative to gravity.

•      Made possible by the semicircular canals of the inner ear.

•      See page 173.