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LYMAN GRANT 
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Best Man
Forward For Chuck The Love of a Mentor Interview with Asa Baber
Forms of Love
The Rose's Thorns Almost a Double Ballade Ache The Y Listening Absolution Parting Leaving Eurydice On the Town Happiness The Silent Time Moving In After Making Love Isaac Dreams of Rebekah at the Moment of His Sacrifice Paradise The Bridge If You Should Ever Return Hunting Season Another Year
Feeding the Crow
Waiting for Mercy
Letters of Roy Bedichek
Afterword
New Growth
Introduction
Recent Poems
Deconstruction Nostalgia
Road Home
Searching a Parking Lot... 290 West "Hamlet" Black Bowl with Apples If You Should Ever Return Lying in a Hammock in Rose Mountain, New Mexico These are things I've been wanting to tell you Late Night A Dream of Grace The Laying on of Hands
Shape Shifter
Awaiting Word Midlife Christmas The Other Writers Block After Hades, Always Persephone ConVersing IX
Short Fiction
5th Edition: Preface 6th Edition: Preface
Through the Fire
Recovering from a Good Mother
A Man's Adventure in Poetry and Tears
The ghosts in These Muscles Warning To My Wife A Fire of Cold Ashes The Visitation The Water Moans Love Song from the Country of Memory In the Company of Men The Light Through the Peaks Mother and Son: First Meeting The Vision Grieving for My Parents Someone's Wife Breasts The Skinny Man Does not Swim Bats and Butterflies The Waters of My Dreams Waking to Dreams Recovering from a Good Mother
Text & Commentary
I have Dreamed a Hundred Whispers Morning Prayers, Night Prayers #6 The Drying Leaves Cancer The Drawing The Light through the Peaks Found Things

Recent Poems

Nostalgia (2003)

The other day at the doctor’s office
the nurse sized me up, professionally.
"You can’t be fifty!" She meant, dear reader,
that I looked much younger. I put up a good front,
you understand. This is a silly way
to begin a poem, I know, but I’ve been
reading Jaroslav Seifert’s poetry,
in translation, of course, and I’m feeling
that it’s fine to begin a poem and watch
where it goes. So, anyway, I think I knew,
for a moment, what a shy, country
girl might feel if a famous producer
proclaimed her tomorrow’s Hollywood star
and imagined, if only an instant,
another life far, far from home.

I examine my life now with all its
essays to grade, old cars and trucks to keep
running, pop songs to love or not, gadgets
to purchase or ignore, politicians
to protect myself from, rights to defend,
promotions at work to earn and/or keep,
and I am frightened—like a dog with screwed
up olfactory glands must be when it
discovers a skunk has snuck upon it
in broad daylight—to understand I,
a middle-aged man, am not nostalgic.

When was it any different, really?
I cannot remember a time when some
parent was not displeased or at death’s door,
some coach not yelling, grim officials not
explaining rules, presidents not trading
truth for power, some girlfriend not wishing
for a bracelet or ring of brighter gold.
I know no illusions of health in times
past. No sweet chuck of candy clings to folds
of memory to be sucked again, slow,
when I am bored on the hard pew of present
circumstances. No watermelon cools
in the spring of years to be sliced open,
rich and firm, upon the table of my
personal history. My homesickness
is no disease of loss or regret turned
into vain hope. What cravings do I have
for gluttonous fantasies of misspent
youth? Always there was too much, too many
M&M’s, too many celebrities,
too many theme parks, too many angered
games of Scrabble, Monopoly, and Risk.

If I am nostalgic, I’m nostalgic
for the experience of nostalgia.
Where is my green meadow, quiet river,
and kingfisher? Where is the generous
gesture of spring shade, the memory of
book or bouquet in an innocent hand?
I yearn, I think, only for sweet yearning.

So I felt the nurse would surely place
her hand on my leg, and request that I
undress. I studied her eyes for a kind
of curiosity, then at the ham
of her thigh, at the suggestion of moist
lips, then at the upturned hint of her snout.
Is this what we become nostalgic for,
the incandescent moment given free,
the ample gifts of benevolent chance?
There was nothing I wished for there, sitting
on crinkly rolled paper, the fat fingers
of opportunity taking my pulse,
except for the things I do on my way
to a place where crimes go unrepeated.

So I can accept this, accept there is
no perfect past to return to calmly,
accept there is no present stasis to
defer tomorrow’s newness to, accept, in
searching, in working, continuous
intensity facing forward symptoms
old pathologies healing into to fresh
diseases, accept that home, that mobile
construction without past or destiny,
is not what I’m sick for, but where I am.

06/28/03-07/3/03

© Lyman Grant
Last updated: January 15 2008