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LYMAN GRANT 
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Publications Home
Best Man
Forward For Chuck The Love of a Mentor Interview with Asa Baber
Forms of Love
The Rose's Thorns Almost a Double Ballade Ache The Y Listening Absolution Parting Leaving Eurydice On the Town Happiness The Silent Time Moving In After Making Love Isaac Dreams of Rebekah at the Moment of His Sacrifice Paradise The Bridge If You Should Ever Return Hunting Season Another Year
Feeding the Crow
Waiting for Mercy
Letters of Roy Bedichek
Afterword
New Growth
Introduction
Recent Poems
Deconstruction Nostalgia
Road Home
Searching a Parking Lot... 290 West "Hamlet" Black Bowl with Apples If You Should Ever Return Lying in a Hammock in Rose Mountain, New Mexico These are things I've been wanting to tell you Late Night A Dream of Grace The Laying on of Hands
Shape Shifter
Awaiting Word Midlife Christmas The Other Writers Block After Hades, Always Persephone ConVersing IX
Short Fiction
5th Edition: Preface 6th Edition: Preface
Through the Fire
Recovering from a Good Mother
A Man's Adventure in Poetry and Tears
The ghosts in These Muscles Warning To My Wife A Fire of Cold Ashes The Visitation The Water Moans Love Song from the Country of Memory In the Company of Men The Light Through the Peaks Mother and Son: First Meeting The Vision Grieving for My Parents Someone's Wife Breasts The Skinny Man Does not Swim Bats and Butterflies The Waters of My Dreams Waking to Dreams Recovering from a Good Mother
Text & Commentary
I have Dreamed a Hundred Whispers Morning Prayers, Night Prayers #6 The Drying Leaves Cancer The Drawing The Light through the Peaks Found Things

Road Home

"Hamlet"

I'm not thinking about the play,
but the poem that Pasternak wrote
for Zhivago, that Zhivago

wrote for Lara. Depending on
the translation, the poem begins
in confusion, or applause, or

turbulence, but we know something
has come to an end. We know the
poet is listening to echoes

of the past for some resounding
message from the future--for courage,
or wisdom, maybe even hope.

He stands alone talking to god,
himself, whoever, more or less
like I do now that you've decided

a life with me is not the life
for you. It's like some director
of community theater

had screwed up and scheduled two plays
on the same stage: you and I step
from our separate scripts into

a life not quite of our making,
but something at least our own, where
old words seem new, feeling someone

listened, not knowing where the action
ends. On one point, however, all
variations agree: Pharisees

rule the day--seems we can't avoid
untranslated terms translated
back to us. No matter where, when,

unforgiving order frightens
hungry desire with solitude.
The poem ends with a simple phrase:

"Life is not a walk through a field."
But lately I've strolled far from our
suburbs into wild rich meadows

full of songs of bees. The poppies
will shock you. I will wait awhile
if you should decide to join me.

© Lyman Grant
Last updated: January 15 2008