Go to Austin Community College
LYMAN GRANT 
Home Personal Interests Publications Biography Links Contact Us
Shape Shifter
Publications
Publications Home
Best Man
Forward For Chuck The Love of a Mentor Interview with Asa Baber
Forms of Love
The Rose's Thorns Almost a Double Ballade Ache The Y Listening Absolution Parting Leaving Eurydice On the Town Happiness The Silent Time Moving In After Making Love Isaac Dreams of Rebekah at the Moment of His Sacrifice Paradise The Bridge If You Should Ever Return Hunting Season Another Year
Feeding the Crow
Waiting for Mercy
Letters of Roy Bedichek
Afterword
New Growth
Introduction
Recent Poems
Deconstruction Nostalgia
Road Home
Searching a Parking Lot... 290 West "Hamlet" Black Bowl with Apples If You Should Ever Return Lying in a Hammock in Rose Mountain, New Mexico These are things I've been wanting to tell you Late Night A Dream of Grace The Laying on of Hands
Shape Shifter
Awaiting Word Midlife Christmas The Other Writers Block After Hades, Always Persephone ConVersing IX
Short Fiction
5th Edition: Preface 6th Edition: Preface
Through the Fire
Recovering from a Good Mother
A Man's Adventure in Poetry and Tears
The ghosts in These Muscles Warning To My Wife A Fire of Cold Ashes The Visitation The Water Moans Love Song from the Country of Memory In the Company of Men The Light Through the Peaks Mother and Son: First Meeting The Vision Grieving for My Parents Someone's Wife Breasts The Skinny Man Does not Swim Bats and Butterflies The Waters of My Dreams Waking to Dreams Recovering from a Good Mother
Text & Commentary
I have Dreamed a Hundred Whispers Morning Prayers, Night Prayers #6 The Drying Leaves Cancer The Drawing The Light through the Peaks Found Things

Shape Shifter

The Other Writers Block (1999)

1
A student stands in my doorway
confessing some desperate
"blockage in my creative faculties"
and before I can inquire
if she really talks like that
or if she picked it up, like Strep,
by listening too closely to exalted professors
at our "institution of higher learning,"
she tilts her head and does something
funny with her eyes and then
her lips, and says I wouldn't
understand, that nothing like that
could ever happen to me.

2
Remembering unfinished poems
from the beginning of the term,
I try to name once again
the stack of papers on the front
right corner of the desk,
I call it "a mountain," then
"dunghill." The phrase "a ringing"
telephone I don't want to answer,"
runs through my head. Next
it's "a bouquet." The pen scratches
on a piece of scrap "the tears
of black desire in a white sea,"
and crosses it out. Finally, I hear
"sprouting voices singing the irradiated
waltz in the polluted compost
of the twentieth century." The hour
passed, I put away my pen and
amble to my morning composition
class, leaving the "metaphors"
ungraded and unremarked.

3
Even though it's my office hour,
I imagine that, if I shut
the door and stanch the flow
of words not my own, some trickle
from the reservoir of either hope or
memory might moisten the dry
arroyos of "my personal voice."
The lessons, "write everyday,"
"write the things you care about,"
"write from your own perspective"
begin to crowd the corridor and soon
one of them gets rowdy and rips
from the closed door my favorite
wry New Yorker cartoon.
Then all hell breaks loose and pretty
soon James Wright come barreling
in screaming, "I have wasted my life,"
and Rilke returns from the realm
of angles, whispering, "You must
your life change." I begin
to envision myself an astronaut
or a penitent, anything cut off
and alone, a piece of string,
an insect husk. And just when I'm
about to yell they must silence
themselves and stand in line
like everything else, someone knocks,
and before I can ignore "him or her,"
a student opens the door and asks,
"Have you graded my essay, yet?"

© Lyman Grant
Last updated: January 15 2008