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LYMAN GRANT 
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Text & Commentary
Publications
Publications Home
Best Man
Forward For Chuck The Love of a Mentor Interview with Asa Baber
Forms of Love
The Rose's Thorns Almost a Double Ballade Ache The Y Listening Absolution Parting Leaving Eurydice On the Town Happiness The Silent Time Moving In After Making Love Isaac Dreams of Rebekah at the Moment of His Sacrifice Paradise The Bridge If You Should Ever Return Hunting Season Another Year
Feeding the Crow
Waiting for Mercy
Letters of Roy Bedichek
Afterword
New Growth
Introduction
Recent Poems
Deconstruction Nostalgia
Road Home
Searching a Parking Lot... 290 West "Hamlet" Black Bowl with Apples If You Should Ever Return Lying in a Hammock in Rose Mountain, New Mexico These are things I've been wanting to tell you Late Night A Dream of Grace The Laying on of Hands
Shape Shifter
Awaiting Word Midlife Christmas The Other Writers Block After Hades, Always Persephone ConVersing IX
Short Fiction
5th Edition: Preface 6th Edition: Preface
Through the Fire
Recovering from a Good Mother
A Man's Adventure in Poetry and Tears
The ghosts in These Muscles Warning To My Wife A Fire of Cold Ashes The Visitation The Water Moans Love Song from the Country of Memory In the Company of Men The Light Through the Peaks Mother and Son: First Meeting The Vision Grieving for My Parents Someone's Wife Breasts The Skinny Man Does not Swim Bats and Butterflies The Waters of My Dreams Waking to Dreams Recovering from a Good Mother
Text & Commentary
I have Dreamed a Hundred Whispers Morning Prayers, Night Prayers #6 The Drying Leaves Cancer The Drawing The Light through the Peaks Found Things

Text & Commentary

The Drawing (1989)

Our son has jabbed the sheet
I was writing on
and named it rain.

A tight-fisted deeply
pressed slash of black
that looks like an ancient
word-this is his lightning.

A smooth curve that bends
itself off the page
and back, knotting tightly,
then fading, somewhat
like your summer ponytail,
is not the moon as
I guessed, but thunder.

Of course.
To those who are not parents
sounds still have shape.
I howl in the gash
I axed in our strongest oak.
You gasp, frightened,
from the gaping soil
where your clippers fell.

I fear, my love,
I have forgotten
how to draw the moan
my hearts makes in full
satisfaction of its
love for you. Our son
is right. This page is air
in an August storm.
My heart speaks like
a lost letter rejoined
to a word whispered
late at night.

© Lyman Grant
Last updated: January 15 2008